The influence of Brecht is visible throughout, as is that of W.H. Auden’s mordant verse-commentary on politics and culture in the 1930s, along with the great eighteenth-century verse-satirists Dryden, Pope and Swift.

Norris leaves the reader in no doubt that we now face a global, European and domestic neo-fascist resurgence. It won’t be defeated unless we act together to defeat these right-wing monsters.

A unique combination of political anger and poetic ingenuity

– Terry Eagleton