Jack Brindelli offers some lessons for the radical left from an animated skeleton This December is particularly troubling for an unrepentant leftist like me. On top of... Continue reading
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Jack Brindelli reviews arise!, the new film from Culture Matters, available to watch here. Director: Carl Joyce Writer: Paul Summers Cast: Joyce McAndrew, Amber Pearson, Brenda Heslop,... Continue reading
Rita di Santo interviews the British director Lech Kowalski, director of of Blow It to Bits Timely and urgent, but not in the daily papers, Blow It to... Continue reading
Rita Di Santo reviews Synonyms by Nadav Lapid, showing at the Seville Film Festival Seville Festival is a great place to catch up with the best in... Continue reading
Jenny Farrell discusses The Architects, a film made in 1989/90 which traced the reasons for the collapse of the GDR 30 years ago, on 9 November 1990,... Continue reading
Fran Lock reviews Joker’s treatment of violence, poverty, class, gender and race, and the way it subverts ‘one of capitalism’s most pernicious fictions’ If you want to get... Continue reading
Sorry We Missed You is director Ken Loach’s follow-up to his excoriating I, Daniel Blake which exposed how the welfare system has been turned into an apparatus... Continue reading
Paul Tims argues that Tarantino’s assertion of the value of violence in his latest film has a message for anti-capitalist activists I’m a huge Tarantino fan. You’re... Continue reading
Rita Di Santo reviews Noura’s Dream After screening at the Toronto Film Festival, French-Tunisian filmmaker Hinde Boudjemaa’s Noura’s Dream had its Middle East premiere at the El... Continue reading
Class conflict, and the various ways class divisions are expressed and resolved in personal relationships, from outright violence to affection and peaceful co-existence, form the central themes... Continue reading
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