Emerging filmmaker Sara Shazli’s Back Home had its world premiere at the El Gouna Film Festival. Twenty-eight years-old, she is the daughter of filmmaker and producer Marianne... Continue reading
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In early April 1968, after the assassination of Martin Luther King Jnr, a panoramic rebellion, fuelled by the rage and grief of black communities grown increasingly forthright... Continue reading
The latest Bond flick No Time To Die was certainly a rollercoaster ride of exciting action scenes and great special effects, yet contained more than a quantum... Continue reading
“All aboard for Lordsburg!”, my Dad used to shout. Immediately, my sister and I would scramble out to the garden to take our seats in the creaking,... Continue reading
Ciarán O’Rourke reviews Take Shelter and Beasts of the Southern Wild ... Continue reading
As the predicted and real-time effects of climate change grow more dire by the day, and Covid-19 continues to devastate the world’s most impoverished (predominantly black and... Continue reading
Charlotte Dick criticises the 2017 film Wonder Woman, a troubling example of how ‘feminists’ are civilisng women, black and brown bodies to suit white, male fantasies Ravenously... Continue reading
Jenny Farrell presents and discusses Margarethe von Trotta’s film about Rosa Luxemburg On 5 March 2021, we celebrate the 150th anniversary of Rosa Luxemburg’s birth. No one... Continue reading
Mike Wayne introduces his new film essay The Dialectical Image is a film essay about experience and the aesthetic. I say ‘the’ aesthetic because I am not... Continue reading
Deirdre O’Neill, in the latest in the series of Culture Matters/Morning Star articles on the effects of Covid-19 on culture, sketches out the argument for developing a... Continue reading
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