Revolution by Sally Flint Top of Google it’s a wine bar, a game,a make-up range. I recall science lessons ‒to rotate, twirl, circuit, cycle, orbit.It’s the Earth... Continue reading
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Sean Ledwith shows how Finnegans Wake, far from being an incomprehensible waste of Joyce’s genius, is an anti-fascist masterwork, uniting and celebrating the wholeness, richness and vibrancy... Continue reading
Jenny Farrell discusses the life and work of ‘Peasant Bruegel’, unearthing the radically subversive protests and criticisms of political domination which are expressed so beautifully in his... Continue reading
David Betteridge re-tells an old tale, inspired by John Berger, Timothy Neat, and Margaret Bennett, with drawings by Bob Starrett The Cave of Gold by David Betteridge On... Continue reading
Daniel Rosenberg reviews Jazz and Justice: Racism and the Political Economy of the Music by Gerald Horne. Capitalism turns art into product, which is put on the shelf... Continue reading
Sam Swann discusses how theatre is owned, funded and influenced by elites, and calls for a far more challenging, radical and diverse theatre Most theatres have fundraising... Continue reading
Dennis Broe excavates the contradictions of class and culture in the architecture, art and culture of Los Angeles Race is the way class is spoken in America,... Continue reading
Phil Brett has just published Gone Underground, the second of his Pete Kalder novels. It’s a crime novel, set in a future revolutionary Britain, and here he explains... Continue reading
In the run-up to the anniversary of Peterloo, Jenny Farrell discusses political poems by Percy Bysshe Shelley, Bertolt Brecht and Thomas Kinsella On 16 August 1819, tens... Continue reading
Anthony Squiers outlines the contemporary relevance of Brecht, especially for artists who seek to produce meaningful works of art in our own dark times. On February 27, 1933... Continue reading
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