Whit Pelé said tae Ali by Jim Aitken Ach, big man, Ah’m fair chuffedtae see ye so Ah am. Ah’ve luvedthe wey ye deal wi the mediya... Continue reading
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Seán O’Casey’s best known and arguably most controversial plays are his early Dublin plays about Ireland’s revolutionary years between 1916 and 1923. Less known and performed are... Continue reading
Refugee Eftir Edwin Muir by Jim Mainland A’m fled trow laand, owre sea, smoored laand an sea, my hame a blüdied knock-soe, a rönnie o stanes, an... Continue reading
Igh Sheriff o Merthyr by Mike Jenkins Ee wuz off of is trolley,shoutin in-a middle o Penderyn Squarelike ee woz a Town Crier. Ee ad all the... Continue reading
‘Artists are the gatekeepers of truth’ said Paul Robeson. As a playwright I have to write this: Never mind the bollocks, “God Save the Queen” and all... Continue reading
Militant by John Short If he surrendered nowhow would he fill the void?Never the kind to retireround glittering pools,world injustice keeps himpermanently afloat. I chanced upon him... Continue reading
Biscuit Factory by John Short This expanse of sprawling madnessand disinfected squalorfor a product no one really needs. The thunderous megalomaniaof machinery means action,dismissing tinnitus as collateral.Sad... Continue reading
rue by Fran Lock, with image above by kennardphillips after the acrostic Floral Tribute, by Simon Armitage heave, between the balms and banes, the hoods, the wryts, the... Continue reading
The Netflix documentary Trainwreck: Woodstock ’99 was most decidedly a depiction of a catastrophe. Watching the concert progress (or regress) from excitement to disaster was a spine-chilling experience. Over... Continue reading
The Day and The Hour by David Betteridge One: What distinguishes the worst of architects from the bestof bees is this: that the architects raise their structuresin... Continue reading
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