Jenny Farrell discusses the prophetic politics of the Gravedigger scene in Shakespeare’s Hamlet, in which class-based justice and fundamental human equality are discussed by those whose task it... Continue reading
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universal credit by Fran Lock statues wake, and yawning, scrapethe birdshit from their tongues. londondrags a dirty nail across her fibroid lungs. the hoodies and the halfwits... Continue reading
A Double Act by S. O. Fasrus ‘But what I learned later in life, too late, is that when you have power over another person, asking them... Continue reading
Chris Guiton interviews jd meatyard, who describes himself as a left field artist much favoured in his Levellers 5 and Calvin Party days by the late great John... Continue reading
Mike Quille interviews Ian Lynch from the four-piece traditional Irish folk group Lankum, formerly known as Lynched, who are currently on tour. Mike: I appreciate you must... Continue reading
Phil Brett takes us on a tour of an exhibition at the Venice Biennale which explores the challenges which emigrants and immigrants face. Away from the main... Continue reading
Gerry Rowe is disappointed by The Death of Stalin. In Andy Hamilton and Guy Jenkin’s ‘Drop the Dead Donkey’, the object of satire is a thoroughly British... Continue reading
Jean Turner looks at the dramatic changes that took place in architecture following the Bolshevik Revolution, and the profound influence this had on the development of the... Continue reading
Emma Carboni introduces Alfredo Jaar’s Garden of Good and Evil, at Yorkshire Sculpture Park. Yorkshire Sculpture Park are presenting a major solo exhibition by pioneering Chilean... Continue reading
On the 500th anniversary of Luther’s revolt, Jenny Farrell gives us a critical appreciation of Hieronymous Bosch’s famous painting The Haywain, a coded criticism of the ruthless extortion... Continue reading
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