Phil Brett finds an intoxicatingly high level of class struggle in the latest V and A exhibition. Rock music is ageing and whilst not dead, does appear... Continue reading
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Andy Croft reminds us of the radicalism of the early Dadaist movement. A hundred years after the Cabaret Voltaire first opened its doors in Zurich, it is... Continue reading
Darren Pih, Exhibitions & Displays Curator, Tate Liverpool writes about Tracey Emin & William Blake in Focus at Tate Liverpool: 16 September 2016 to 3 September 2017.... Continue reading
Mark Abel continues his analysis of how Marxists should appreciate and evaluate music. In the first part of this article, I argued that critique was at the... Continue reading
Phil Brett draws some lessons for today’s refugee crisis from Casablanca. Casablanca often features in lists of favourite films, and often receives highbrow scoffing. The novelist and... Continue reading
When The Well Runs Dry by Alan Dunnett I got to the piss-edge last nightsharp and painful like an infectionwith you below looking upfrom a hole in... Continue reading
Phil Brett introduces the art of Cornelia Parker. I was only vaguely familiar with the artist Cornelia Parker, when in 1998, Steve, a... Continue reading
Vicky Sparrow introduces the poetry of Anna Mendelssohn, imprisoned for her association with the Angry Brigade, and discusses how its ‘attentive concern’ rescues objects and people from... Continue reading
Dr. Lucy Pearson explores the radical potential of fanfiction for young readers and other marginalised groups, especially in a media environment which is still focused on the... Continue reading
A woman sits on a fold-up chair, with a sign – ‘Hello, can you stop for a talk?’ – inviting passersby to stop for a chat about... Continue reading
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