What kind of cultural celebration, Mark Perryman asks, do the art and the politics of the Russian Revolution deserve? A century ago, on 23rd February 1917, Russian... Continue reading
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Phil Brett enjoys the art at the RA exhibition, but not the simplistic and misleading commentary. Remember the fuss over the art of Hans Holbein the Younger... Continue reading
Len Phelan reviews the Art of Solidarity. It’s hard to think of a more appropriate venue for Art of Solidarity, a marvellous exhibition of Cuban posters supporting... Continue reading
Sophie Coudray introduces Augusto Boal’s Theatre of the Oppressed. This paper aims to clarify the original project of Augusto Boal’s Theatre of the Oppressed, which is a... Continue reading
David Betteridge introduces a drawing from Owen McGuigan which ‘takes a line for a walk’; and a song on the same theme of shipbuilding on Clydeside. Watching... Continue reading
A COVERLETOF GREEN by David Betteridge The bare and barren treecan be made green again…– Antonio Gramsci ¶ A boy cried.His bedside cup,brimful with milkbefore he slept,... Continue reading
Like Mother by Nadia Drews Settle down, bottom set, poor concentration, what do you expect?Failed tests, predictable results, staying behindred linesLife viewed through windows in the sticks... Continue reading
Sanjiv Sachdev reviews Exhibit A, a witty and politically subversive exhibition of mask images of celebrities by Hugh Tisdale and Dan Murrell. ‘Fame, puts you where things... Continue reading
David Betteridge offers an appreciation of the late, great John Berger. There are some authors whose way with words not only reflects a way of living, but... Continue reading
For the late John Berger, art criticism was a revolutionary practice. The following article by Robert Minto, outlining Berger’s theory of art, is republished with the kind permission... Continue reading
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