Anthony Squiers reviews an astonishingly relevant production of Henrik Ibsen’s An Enemy of the People, performed on Zoom by the J.T. and Margaret Talkington College of Visual... Continue reading
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John Giddens reviews The Ballad of Johnny Longstaff at The Northern Stage, Newcastle upon Tyne The North East based contemporary folk trio, The Young’uns, tell the tale... Continue reading
Tony McKenna reviews Shakespeare’s Tempest and Capitalism: The Storm of History, by Helen C. Scott, which is a fruitful and dialectical analysis revealing organically the aesthetic character of the... Continue reading
Jenny Farrell discusses Beckett’s Waiting for Godot and its message to us today Great Carthage waged three wars. It was still powerful after the first, habitable still... Continue reading
Sam Swann discusses how theatre is owned, funded and influenced by elites, and calls for a far more challenging, radical and diverse theatre Most theatres have fundraising... Continue reading
Anthony Squiers reviews Trommeln in der Nacht at the Münchner Kammerspiele, which ‘rescues the Tentative Brecht’ On September 29, 1922 the Münchner Kammerspiele premiered Trommeln in der... Continue reading
Jenny Farrell writes about Bertolt Brecht’s anti-war play “Mother Courage and Her Children”, first performed in Germany 70 years ago. The play has retained its relevance as... Continue reading
Ed Edwards is interviewed by Mike Quille about his career, his play The Political History of Smack and Crack, about the theatre generally these days, and about... Continue reading
Reuben Bard-Rosenberg reviews Chanukah Lewinsky: 120 Years from Grodno Last week, a sell-out crowd at JW3 in London was treated to an unusual performance by up-and-coming performance artist... Continue reading
Luna Williams considers the implications of Brexit for the theatre industry, and particularly its lack of working class representation. With Brexit day (29th March, 2019) just around... Continue reading
Showing 21–30 of 46 posts