Over the past sixty years Werner Herzog’s extensive and elaborate filmography has explored both the grand and garish extremes of human experience, astonishing audiences all over the... Continue reading
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In January 2023, An Cailín Ciúin (‘The Quiet Girl’) became the first Irish language film to receive an Oscar nomination and it has proved to be the... Continue reading
Brett Gregory interviews Dr. Ian Scott, Professor of American Film and History at the University of Manchester (UK), October 2023 BG: Hi, this is the UK Desk for... Continue reading
Torivio Fodder reviews Scorsese’s new film, arguing that although gangsters are the villains in ‘Killers of the Flower Moon,’ the biggest thief of Native American wealth was... Continue reading
Ken Loach’s latest film The Old Oak, opening in cinemas this weekend, may also be his last. At 87, if it really is time for Ken to... Continue reading
Brett Gregory interviews Dr. Darren Elliott-Smith, Senior Lecturer in Film & Gender Studies at the University of Stirling (UK), for Arts Express Brett Gregory: Hi, this is the... Continue reading
Brett Gregory interviews Dr. Andy Willis, Professor of Film Studies at the University of Salford (UK), for Arts Express Brett Gregory: Hi, this is the UK desk... Continue reading
Image above: Che (2008 film) directed by Steven Soderbergh. “Just a short time ago it would have seemed like a Quixotic adventure in the colonised, neocolonised, or even the imperialist... Continue reading
Brett Gregory reviews ‘Tracking Loach’ by David Archibald (Edinburgh University Press, 2023) David Archibald’s book, ‘Tracking Loach’, is an academic celebration of Ken Loach’s 60 year career in... Continue reading
Caoimhghin O Croidheain reviews Extraordinary Attorney Woo (2022) and White Tiger (2021) “None are more hopelessly enslaved than those who falsely believe they are free“― Johann Wolfgang Von Goethe, (Elective Affinities, Die Wahlverwandtschaften, 1809)... Continue reading
Showing 61–70 of 129 posts