Mike Quille reviews the national premiere of Liars of Earth, and interviews the artist. Review of the Drawing Chad McCail’s 100-foot long drawing depicts a series of... Continue reading
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Nick Wright reviews the current exhibition of banners produced by Hammersmith Communist Party in the 1930s, to help the Spanish Republic. Legend has it that while Picasso... Continue reading
PL Henderson introduces the #WOMENSART project, which demonstrates how women have continued to create art, often as radicals, rebels and pioneers, despite the social, cultural and economic... Continue reading
Jane Kallir focuses on the relationship of 1930s American artists to the Communist Party. In the 1930s, the Great Depression’s far-reaching economic impact lent credence to the Marxist... Continue reading
Christine Lindey reviews the current Royal Academy exhibition, and recommends the art – but not the didactic, vindictive and reactionary curation. In January 1918 the Russian Soviet... Continue reading
Stephanie McMillan presents an overview and polemic about political art, the relationship of culture and politics, and the need for critical and revolutionary art as part of... Continue reading
Christine Lindey explains how the 1917 Russian Revolution inspired the transformation of the visual arts into instruments of popular liberation. “In the land of the Soviets every... Continue reading
What kind of cultural celebration, Mark Perryman asks, do the art and the politics of the Russian Revolution deserve? A century ago, on 23rd February 1917, Russian... Continue reading
Phil Brett enjoys the art at the RA exhibition, but not the simplistic and misleading commentary. Remember the fuss over the art of Hans Holbein the Younger... Continue reading
Len Phelan reviews the Art of Solidarity. It’s hard to think of a more appropriate venue for Art of Solidarity, a marvellous exhibition of Cuban posters supporting... Continue reading
Showing 131–140 of 165 posts